The Polish poet Czeslaw Milosz' work The Separate Notebooks, begun in the winter of 1955 and completed in the spring of 1956, constitutes a meditative treatise on poetry, which can be said to be fully expressive of the powers of post-war era poetry.
In the occult poem The Wormwood Star the narrator discovers that the house of his birth has been destroyed by war:
When Thomas brought news that the
house I was born in no longer exists,
house I was born in no longer exists,
Neither the lane nor the park sloping to
the river, nothing,
the river, nothing,
I had a dream of return. Multicolored.
Joyous. I was able to fly.
Joyous. I was able to fly.
And the trees were even higher than in
childhood, because they had been
growing during all the years since they had been cut down.
childhood, because they had been
growing during all the years since they had been cut down.
(Milosz 373)
In The Trees, Max Richter's elegy to Milosz, Kafka and other Eastern-European masters, a reading of The Wormwood Star is undertaken by Tilda Swinton.
In The Trees, Max Richter's elegy to Milosz, Kafka and other Eastern-European masters, a reading of The Wormwood Star is undertaken by Tilda Swinton.
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